We devote this thread to try and pick the winner (hopefully by or before the merge) by looking at the editing player by player and applying logic from past editing patterns or observations about what we have been shown.
How Edgic Works
Everyone is welcome to participate, so for anyone new who wants to jump on board here is generally how it goes:
After watching each episode posters rate the players:
Step 1:
Ratings: OTT, CP, MOR, UTR and INV
OTT (over the top)
CP (complex personality)
MOR (middle of the road)
UTR (under the radar)
INV (Invisible)
Step 2:
Tone: NN, N, nothing, P, PP (Rate players from Really Negative to Really Positive)
Step 3:
Visibility: 1-5 (From 1 or low visibility to 5 or high visibility)
Comprehensive Guidelines:
Below in Warrior's posts are the more detailed comprehensive guidelines we use, and some charts that will come in handy for analysis.
Following that there should be some threads from different watchdogs (WDs) with analysis of the season as it goes for their area of responsibility which might also include detailed analysis on each Survivor as the season goes on.
Old Edgic Threads
Old Edgic threads are in the "Survivor Attic", if you would like to read-up on past seasons (note - not all seasons were saved!)
Voting
Once there seems to be a general consensus of trust in your participation,(in understanding how Edgic works and your positive participation), simply pm chaperone or me, fat little fingers , and ask for the voting site address.
This thead has always been flame-free and we also strive to keep it spoiler-free. That should not change for this season. New posters are welcomed and encouraged. New ideas and fresh eyes are good for Edgic.
flf
Links to my selected analysis posts:
eta:
These links did not survive the yuku move or the move to the Attic.
Episode One: Link.
Episode One "Rewatch" (During break before Ep6): Link.
Episode Four: Link.
Episode Six: Link.
Episode Eight, "Key Scenes from a Key Episode": Link.
Episode Nine: Link.
Epiosode Thirteen "Selected Scenes and Lines": Link.

































































































